Horror Movie Parody Trailer
Format: Promotional Trailer / Comedy Parody (Vertical – Social Media)
Role: Writer, Director, Director of Photography, Editor, Voice-over Artist
Duration: 30 seconds
Tools Used: iPhone Camera, Final Cut Pro
Director: Jonathan Duffy
Production Company: Jonathan Duffy
Broadcaster / Platform: TikTok, Instagram Reels, YouTube Shorts
Project Overview :
This parody trailer was created to promote the Swiss tour of my stand-up show I Hate Paris. The concept satirised classic horror movie trailer tropes; ominous lighting, tension-building rhythms, frantic pacing, and jump-cut timing. I studied numerous modern horror trailers to replicate their structure and mood, then reimagined the Paris metro as a surreal, threatening labyrinth with no escape. The trailer was designed for vertical platforms and produced to feel both convincingly cinematic and intentionally absurd.
Recognition:
The trailer was highly effective on social media and directly contributed to selling out all shows on the Swiss run. Audiences responded strongly to the comedic contrast between a mundane setting (the Paris metro) and full horror-movie intensity, generating strong engagement and shareability.
My Contribution:
Conceived and wrote the horror-parody concept tailored to the I Hate Paris tour.
Shot all footage alone on an iPhone in the Paris metro.
Studied horror trailer rhythm, percussion-based pacing, and lighting motifs to accurately replicate the genre.
Directed, performed, and managed on-location improvisation to capture “threatening” mundane moments.
Designed the colour palette and contrast levels to evoke horror cinema.
Added flashes, strobe-style cuts, and trailer-style sound cues in Final Cut Pro.
Recorded an ominous parody voice-over to mimic horror trailer narration.
Exported in vertical formats optimised for social media distribution.
Creative / Technical Notes:
Horror-inspired timing driven by percussion hits rather than melody.
Use of natural metro lighting enhanced in post to feel oppressive and cinematic.
Flash edits and micro-cuts emulate modern horror trailer grammar.
Vertical 9:16 framing maximised claustrophobic tension.
Quick-turnaround: conceived, shot, edited and published independently
Full Version